Mathew Weir: Against the Irreversible
Farbvision, Schönhauser Allee 28, 10435, Berlin
Opening 12 Sept 13-19.00, and by appointment until 17 Oct
The exhibition is accompanied by an essay ‘Making Friends with Horror’ by Matt Carey-Williams
‘Year of Meteors’, 2018, is on show in Heads Roll at the Graves Gallery Sheffield, until 24th November 2018.
The exhibition, curated by Paul Morrison, brings together historic and contemporary portraits by artists including Frank Auerbach, Glenn Brown, Patrick Caulfield, Michael Craig-Martin, Jessica Diamond, Machiko Edmondson, Jacob Epstein, William Etty, Klara Kristalova, L.S. Lowry, Ben Nicholson, Mary Obering, Julian Opie, Ruth Root, Walter Sickert and Mathew Weir.
The book published following the solo exhibition A Maze of Parts at Attercliffe™ is now available to download.
Transference: Sue Arrowsmith & Mathew Weir, 5 March – 31 March, 2018.
Private View: Sunday 4 March, 2 – 4 pm, MOCA London, 113 Bellenden Road, London SE15 4QY
The exhibition is accompanied by a catalogue with at essay by Roberto Ekholm.
Running in conjunction with Nature Morte: Contemporary Artists Reinvigorate the Still Life Tradition. A MOCA London touring project currently on show at The Guildhall Art Gallery London until 2 April.
The Graves Gallery in Sheffield has acquired ‘Self Portrait (dead)’ for their permanent collection. It can current be seen displayed with the 18th and 19th century portraits.
The print series developed for A Maze of Parts at Attercliffe™, will form part of MOCA London’s presentation at PIAF from 30th September to 5th October.
‘There and Not There’, 2017, is on show in Nature Morte at the Guildhall Art Gallery, London, until 2nd April 2018.
Mathew Weir: A Maze of Parts, at Attercliffe™, Sheffield, runs until September 30th. Open by appointment, contact via attercliffetm@gmail.com.
‘Self Portrait (dead)’ has been hung amongst the 16th-18th portraits at the Graves Gallery, Museums Sheffield, to coincide with the exhibition A Maze of Parts at Attercliffe™.
A Paul Morrison Studio project – presenting painting, sculpture and a new print series by Mathew Weir – A Maze of Parts will explore notions of containment and escape. Installed within Attercliffe™, a former Victorian bank branch, the works will integrate with and gain resonance from this unique environment. A text – Amazingly Weird – by psychoanalyst and writer Anouchka Grose accompanies the exhibition.
Attercliffe™, 747 Attercliffe Road, Sheffield, S9 3RF
Mathew Weir will be giving an artist talk at the School of Visual Arts, at The Royal Danish Academy of Fine Arts, Copenhagen, on the 19 June 2017, at 10am.
CFAR runs a low-cost clinical service offering long-term open-ended therapy to unemployed and low-income people. It has been running since 2001, and is funded by the generosity of artists who have an understanding of analytic work. Each year, an artist donates a work which CFAR then sells privately, usually to one of a small group of benefactors. Artists who have donated works include Antony Gormley, Anish Kapoor, Cornelia Parker and Grayson Perry. This week Mathew Weir donated the painting Sorrow’s Child, 2013, to support CFAR’s work.
