Mathew Weir: A Maze of Parts

Attercliffe™, 747 Attercliffe Road, Sheffield, S9 3RF

15th July 2017 to 30th September 2017

A Paul Morrison Studio project – presenting painting, sculpture and a new print series by Mathew Weir – exploring notions of containment and escape. Installed within Attercliffe™, a former Victorian bank branch, the works integrate with and gain resonance from this unique environment. Accompanying text by psychoanalyst and writer Anouchka Grose.

Uncle Tom's Cabin I, 2017, archival pigment print.

Trace, 2010, iron and steel.

Exorcism, 2013, bronze.

Escape, 2011, plaster, paint, varnish (left),

Anna Freud’s Parochial Chest I, 2017, archival pigment print.

Escape, 2011, plaster, paint, varnish.

Uncle Tom's Cabin II, 2017, archival pigment print.

Man in Chains, 2017, oil on canvas mounted on board.

Girl Picking Flowers, 2017, oil on canvas mounted on board.

Restraint, 2011, Plaster, acrylic paint, varnish, steel.

Padded Cell I, 2017, archival pigment print.

Padded Cell I, 2017, archival pigment print (left), Isn't there anyone to come and strangle me quietly in my sleep, 2010, plaster, acrylic paint, varnish, cherry wood (centre), Padded Cell II, 2017, archival pigment print (right).

Padded Cell I, 2017, archival pigment print (left), Isn't there anyone to come and strangle me quietly in my sleep, 2010, plaster, acrylic paint, varnish, cherry wood (right).

On the Threshold of Eternity, 2011, bronze with black patina.